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三元六甲循環無端,壽夭窮通實乃五行之變化衰旺,以陰消陽長三元輪替,生剋休咎定真踪.
是春秋戰國時期陰陽家用於軍事占測的方法,帛書《刑德》「占軍戰,講也.以丙子為六分,以為六旬.攻城圍邑,疾西風而城拔,東風不拔.司張軍而疾西風,軍戰矣」.「兵在野,甲子雷,不出百日兵入;丙子雨,不出八旬兵入;戊子雨,不出六旬兵入;庚子雨,不出四旬兵入;壬子雨,不出二旬兵入.軍在野.丁巳,軍有拔城」.
後至秦漢時期把刑德的概念形成術數的發展,《漢書.藝文志》五行類中所列舉刑德七卷,然而大部份已幾乎全部失傳,玄空掌派幸得將京房仙師八宮卦的抽象結構概念轉化為洛書數,從而窺探,發現六十甲子吊宮可追溯到帛書刑德篇,六十甲子吊宮不單可軍事占測,以致後期發展已成為壽夭窮通的擇日術以及修方預測術.
玄空掌派於丁亥年春無意巧合地追溯源頭,據推論,帛書《刑德》的成書年代應在戰國中期以後,即西元前 300 年以後.「帛書《刑德》有甲,乙,丙三篇.甲篇用古隸抄寫,全篇文字五千有餘,分上下兩欄抄寫.右起上欄約三十一行文字,然後用朱墨二色繪有干支紀年表,其中在標有「壬辰」的式圖內有「張楚」字號,另在干支表左側,有「今皇帝十一年」的記載.據查証,所謂「今皇帝」也就是對漢高祖的尊稱,由此也可知這篇帛書是漢高祖劉邦在位時抄成的.干牢表的左側繪有「刑德運行九宮圖」,中宮為一圓圈,圈內正中書一「土」字,四周按方位墨書「刑戊子,德戌午」等字,圈外分四方標出「金,木,水,火」四行之名,然後圍繞中宮分別繪有方格形八宮,官中各寫有「刑德,豐隆,大音,雷公,雨師,風伯」等神名和干支.下欄文字則是對刑德運行的詮釋和許多以刑德占測吉凶以及戰爭勝敗的規定.
《刑德》乙篇的篇幅與甲篇差不多,保存得較完整些,內容與甲篇基本相同,但其抄寫的字體是比較規範的漢隸,圖文的排列順序與甲篇正好相對.同樣是上下兩欄,但它右起上欄首先就彩繪出《刑德運行九宮圖》,圖的左邊彩繪六十干支紀年表,其中「壬辰」年的式圖內亦標有「張楚」年號,而「丁未」年的式圖內標有「孝惠元」的年號,由此可知這篇帛書乃是孝惠元年以後抄寫的.在「九宮圖」和「干支表」的下面一欄中,抄錄了一篇二千餘字的文字,它以諸點分節,較詳細地介紹了刑德在「九宮圖」中的運行規律」.
從刑德研究論稿中,多位學者所推論出觀點未能全面窺探,而玄空掌派憑心法發現刑德圖還有四項嶄新觀點,是未為人察知,這裡要強調,學者們是從刑德甲乙丙三篇內文而雕琢研究(文字),而玄空掌派從玄空掌派心法(京房八宮卦中心架構)窺探刑德九宮圖架構佈局而出發(圖表),然而各位所得出的結論,大致相同.換言之,刑德九宮圖基本是包函文字不能表達角度.而從這幾項嶄新觀點,不單止確立六十甲子吊宮立論源頭,同時再重組六十甲子吊宮真髓,使其更為臻美.
一. 刑德圖之月相
二. 刑德圖之十二次
三. 刑德圖之五音
四. 刑德圖之五星
玄空掌派銳山
Things are always in Cycle in accordance to 3 Cycles and Liu Jia theory. The ups and downs of a person are much dependable on the interaction of Yin and Yang with 5-elements. The kind and unkind energies as a result from the interaction would dictate and warrant certain outcomes accordingly.
In the era of Chun-Jiu civil war, Yin and Yang experts utilized predictive tools to anticipate the moments of enemies and to position their warfare. Pai Shu Ying De mentioned “During wartime, utilise 6 divisions of Peng Che with multiple of 10. Attacking the castle and barricading the county either from west or east is the critical role entrusted to the commander of warfare. The commander is relying on the predictive tools to make the call. “When the enemy is on offence, the Thunder Kua will dictate the number of army as well as the amount of war days to be arranged on the battle front; In Feng Che rain day, the commander will not send more than 8 multiple army to battle field, In Mou Che rain, not more than 6 multiple will be sent to the field, Kang Che rain day with no more than 4 multiple, Yam Che rain day with no more than 2 multiple and so on. When the enemy is on defence, on Din Zhe Day the proactive approach of attacking will be enforced.”
Later in the era of Ching and Han, The Ying De concept has evolved into metaphysic development (Han Shu, Yi Wen Che). 7-script rolls of the compilation of Ying De with exertions of 5 elements were mostly lost. Xuan Kong Zhang Pai has the honoured to use the fine-tuned Jin Fang Bagua Palace theory to make full sense of ancient residues texts and discovered the connection between them. The amazing discovery in regards to the 60 Jia Jie Hang Palaces can be traced back to the Ying De methodology not only for warfare prediction but auspicious dates selection. In addition, this will serve as a wonderful predictive and forecasting methodology.
In the year 2007, Xuan Kong Zhang Pai for some reasons has managed to trace back the source of Ying De methodology. Accordingly, Pai Shu Ying De has its roots in Wartime BC 300, and Pai Shu Ying De has A, B and C volumes. The volume A has approximately 5,000 handwritten words in 2 columns. Right hand with 31 columns that used Chinese ink comprised with Heavenly Stems and Earthy Branches. The ‘Yam Sen’ Heavenly Stem and Earthy Branch together with two words of Zhang Czu can be found somewhere in the middle. On the left side was encrypted with “The 11th year king’ and in which after verification was the King Han’s title. This also proved that Pai Shu existed during his tenure with the version done by Liu Pang.
On the left side as well, the words ‘Ying Mou Che, De Mou Nien’ were written, together with four elements of metal, wood, water and fire, surrounded by eight palaces with the words ‘Ying De, Fong Long, Dai Yin, Lei Kong, Yi Shi, Feng Pou’ deities and heavenly stems and earthy branches. Bottom column comprised the movements and explanation of Ying De and war fares strategies.
‘Ying De’ B volume is quite symmetrically to A volume , but a more tidy and properly kept version, the only different is the size of the word is larger in B volume. On the right side the words ‘Ying De Nine Palaces Movement Diagram’ were there together with the 60 heavenly stems and earthly branches. Instead of ‘The 11th King’ the words were replaced with ‘Hau Siu Yuan’ and that mean it was written during the tenure of King Hau Sin Yuan in the year of ‘Ding Wei’. A much detailed descriptions of how the Ying De ‘Nine palaces diagram’ function was footnoted.
From the research of Ying De thesis, many scholars cannot seem to put the missing pieces together but Xuan Kong Zhang Pai discovered four new findings that were never touched or discussed upon before, nevertheless, the methods of discovery differ from the scholars. The scholars used the texts or words for your examination while Xuan Kong Zhang Pai is using the logic and rational of diagrams. Xuan Kong Zhang Pai discovery is using the ‘enlightenment’ approach that tap into the Ying De Nine Palaces structure’s context, many similarities are found in the Jin Fang Bagua Palaces structure. Words and descriptions in the Ying De Diagram can be explained by using the Jin Fang Bagua diagram and that this not a coincidental but a discovery. Zhang Kong Zhang Pai is able to reorganize and fine tuned the 60 Jia Ji Hang Palaces for perfection.
1. Ying De Diagram of Moon positions
2. Ying De Diagram of 12
3. Ying De Diagram of 5 Sounds
4. Ying De Diagram of 5 Stars
Xuan Kong Zhang Pai
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